{"id":18961,"date":"2023-04-17T11:11:02","date_gmt":"2023-04-17T09:11:02","guid":{"rendered":"https:\/\/www.buda.be\/residentie\/preliminary-attempts\/"},"modified":"2023-04-17T11:11:02","modified_gmt":"2023-04-17T09:11:02","slug":"preliminary-attempts","status":"publish","type":"residentie","link":"https:\/\/www.buda.be\/en\/residentie\/preliminary-attempts\/","title":{"rendered":"Preliminary Attempts"},"content":{"rendered":"<p>In <em>Preliminary Attempts<\/em>, Naomi explores &#8216;breaking out of a straitjacket&#8217; and looking for a new language of movement. This requires a dissection of its &#8220;own&#8221;(?) movement language. A movement language that Naomi (and her dancers) have long embodied. A movement language driven primarily by and through the male gaze (The male gaze), which still resides in their bodies to this day.<\/p>\n<p>As an audience, we are used to seeing some kind of build-up happening on stage, but this &#8216;work in progress&#8217; consists specifically of the action of sharing that &#8216;dissection&#8217;. It is a process of &#8216;unpacking&#8217; (of that movement language). No buildup but rather a reduction. A dissection. With this work, as in her last work <em>The next moment is never more significant (19.06.2022)<\/em>, she transforms her audience from mere spectators to witnesses. The inertia she uses is deployed for this purpose as a method, a tool to proceed to decomposition. With which she might be able to direct your gaze and thus turn the tables?<\/p>\n","protected":false},"featured_media":18959,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-18961","residentie","type-residentie","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie\/18961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie"}],"about":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/types\/residentie"}],"replies":[{"embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/comments?post=18961"}],"version-history":[{"count":0,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie\/18961\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/media\/18959"}],"wp:attachment":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/media?parent=18961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/categories?post=18961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/tags?post=18961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}