{"id":35940,"date":"2026-01-27T14:34:42","date_gmt":"2026-01-27T13:34:42","guid":{"rendered":"https:\/\/www.buda.be\/?post_type=residentie&#038;p=35940"},"modified":"2026-01-27T14:35:38","modified_gmt":"2026-01-27T13:35:38","slug":"rapid-eye-movement-working-title","status":"publish","type":"residentie","link":"https:\/\/www.buda.be\/en\/residentie\/rapid-eye-movement-working-title\/","title":{"rendered":"Rapid eye movement (working title)"},"content":{"rendered":"<p>In BUDA, Line Boogaerts and Ditmar Goes explore the interaction between image, sound and movement through live drawings on glass. They explore the impact of noise on our daily functioning. They interpret noise broadly: from visual disturbances, such as spots or obstructions in drawings on glass, to auditory disturbances. The core of this research lies in the artistic play with distraction and obstruction, and how this changes our perception. They translate blind spots and noise into a multidisciplinary artistic language that integrates image, sound and touch.<\/p>\n<p><em>Rapid eye movement<\/em> is a state of heightened sensory activity, comparable to the phase in which dreams arise. In BUDA, they focus on the impact of noise on sleep. On the one hand, noise that calms and soothes us and, on the other hand, noise that disturbs our sleep. Sleep is a state of semi-consciousness in which our senses are still active and we simultaneously dwell in our own inner world. Both worlds have an impact on each other. During sleep, sounds and images intrude, distort, merge and sometimes slip away again. Through visual and auditory exploration, Boogaerts and Goes search for a shared, hybrid language \u2014 a language that is not fixed in one sense, but arises in the overlap between them. Their collaboration focuses on the boundaries of perception, on the fragile transition between reality and imagination, and on the blind spots that become visible when control gives way to a dreamlike alertness. Specifically, they work in their residency at BUDA with contact microphones that they attach to the glass.<\/p>\n<p>This residency is part of a development programme supported by the Flemish Government, Jan Desmedt of 4 zinnen en meer, BUDA, C-TAKT, Kunsthal Mechelen, Iris Vantieghem, Werktank, Ditmar Goes, Els Vermeersch and Luc Vandierendonck from Wit.h, Maarten Buyl and Raphael Malfliet (Extant), Christoph De Boeck.<\/p>\n","protected":false},"featured_media":35939,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-35940","residentie","type-residentie","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie\/35940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie"}],"about":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/types\/residentie"}],"replies":[{"embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/comments?post=35940"}],"version-history":[{"count":1,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie\/35940\/revisions"}],"predecessor-version":[{"id":35941,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/residentie\/35940\/revisions\/35941"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/media\/35939"}],"wp:attachment":[{"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/media?parent=35940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/categories?post=35940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.buda.be\/en\/wp-json\/wp\/v2\/tags?post=35940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}