Nail salons, emblematic of the Vietnamese diaspora, form an essential niche market, unveiling stories that are both intimate and collective. Carré arrondi is a performance that navigates between reality and dreams, evoking the fragmented memories of Vietnamese-origin nail technicians.

During the residency at BUDA, Hằng Hằng focuses on dramaturgy and direction, exploring repetition in collaboration with performer Maya de Vulpillières.

Hằng Hằng (VN)

Hằng Hằng is a visual artist, performance maker, and scenographer working between Vietnam and Europe. She holds a Master’s degree in Scenography from the École nationale supérieure des Arts Décoratifs in Paris. Her work reexamines micro-history and family archives through sensual memories. Navigating between documentary and imagined landscapes, she creates immersive spaces where reality, dreams, and magic converge.