Invisible memories come to life in a performative haunted house.

How do ghosts manifest themselves today? In a transitional space where echoes and fragments of light wander, four performers let themselves be flooded by gestures, words, images, sensations, memories, hallucinated material and fictions. With a few spotlights, a mirror and a piece of chalk, Music Hole offers a sensory and subliminal journey through our psyche and our beliefs, hovering between dance mania, cathartic performance and contemporary phantasmagoria.

For his new work Music Hole, Steven Michel uses the figure of the ghost to investigate our relationship with time passing, memory and the invisible. Inspired by spiritualist practices and the concept of hauntology, which refers to ghostly traces that infiltrate time, invade the present and generate impressions of déjà-vu, the choreographer explores and translates this ghostly imagination onto the stage.