Honoré d’O’s installations are compositions of everyday materials and objects made without the slightest technical pretension. He constantly introduces new objects found by chance, thus blurring the line between the everyday and the work of art. The accidental appearance of the spectator and his or her interaction with the work function as a completion of the installations. In other words, the spectator becomes part of the work. Honoré d’O’s installations are permeated by a sense of chaos situated in a web of underlying meanings and connections in which reality constantly passes into art and vice versa.
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