The resistance of the monstrous identity South-Korean performer Kidows Kim is an expert in mime, and is fascinated by manga and monsters. His intimate creations, such as FUNKENSTEIN (2021), are full of highly imaginative beings. Its sequence, CUTTING MUSHROOMS, is influenced by the cyberpunk film Tetsuo: The Iron Man (1989) directed by Shinya Tsukamoto, in […]
Beïnvloed door de film “Tetsuo: The Iron Man”, geregisseerd door Tsukamoto Shinya in 1989, is Kidows geïnteresseerd in de kwestie van een verijdelde lichamelijke transformatie. Hier onderzoekt hij een ambiguïteit die verward is met lichaam, stem, objecten en kostuums. Hierbij nodigt hij Hubert Crabières en Josiane Martinho uit, zodat onze gedachten en materialen konden delen. Ze verstrengelen hun interesses […]
Beïnvloed door de film “Tetsuo: The Iron Man”, geregisseerd door Tsukamoto Shinya in 1989, is Kidows geïnteresseerd in de kwestie van een verijdelde lichamelijke transformatie. Hier onderzoekt hij een ambiguïteit die verward is met lichaam, stem, objecten en kostuums. Hierbij nodigt hij Hubert Crabières en Josiane Martinho uit, zodat onze gedachten en materialen konden delen. […]
From collective conversation to public sculpture Feminist author Hélène Cixous wrote I, too, overflow in her influential essay The Laugh of Medusa, in which she advocated écriture féminine, a radically new form of expression and significance. Inspired by Cixous, Ève Gabriel Chabanon spoke for an entire year with women and non-binary individuals from in and […]
Empathic artwork about a care relationship In 2021, choreographers Jija Sohn and Aleksandra Lemm, dramaturg Julia Reist and artistic collaborator Nica Roses embarked on a creative journey, together with visual artist Elmer Kouwenberg, who became paralysed after a car accident some 30 years ago. The foursome previously made a short documentary about their role as […]
A mini concert … for one single person Is it a consultation, a tête-a-tête or a musical session? One thing is certain: this 7-minute one-on-one concert invites you to make contact with what is near and what is far, using your ears. Although you will be separated from the performer, who wears a red beard […]
I think it says a lot about you, that when the question is about responsibility, the next topic that’s brought up is guilt. I find that interesting. I thought you were talking about guilt? I was talking about duty. I heard you say guilt. I said guilt after you said guilt. You did say guilt! […]
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