Cinema, Podium en
Werkplek in Kortrijk

Ezra Veldhuis & Bosse Provoost

All Watched Over by Machines of Loving Grace

Performance
Duration: 1h
14+
Budascoop

CUBO

In All Watched Over by Machines of Loving Grace Ezra Veldhuis and Bosse Provoost explore freedom and lack of freedom with relation to technology. At the centre of the staging is the poem of the same name from 1967 by Richard Brautigan, in which the American author sings the praise of a dreamed ecology in which mammals and computers live together harmoniously.

In this performance Veldhuis and Provoost gauge the feasability of that vision. Today, machines, medicines, algorithms are founded on forms of technology which discipline and control rather than give us freedom. Do we live in a totally perverted realisation of Brautigan’s dream ? Or is the freedom he promises still possible ?

The performance navigates between utopia and scepticism, a high and sobering up. Get acquainted with a ‘cyber ecology’ in which the relationships between people, materials and apparatus are ambiguous. Do they live together in symbiosis or conflict ? The question is not if we are entangled but how we move within that entanglement, suffer and…dance. Just like in Indoor Weather, also on the programme of NEXT 2023, the complete theatre machinery is a living organism.

Ezra Veldhuis and Bosse Provoost have been explo­ring the bor­der­lands bet­ween the­a­ter, per­for­man­ce and instal­la­ti­on art together sin­ce 2018. Their work is infu­sed with a fas­ci­na­ti­on for light, spa­ce and scenography. Through com­po­si­ti­ons of light shifts, sound pat­ches and silen­ces, they cre­a­te ever-chan­ging spa­ces popu­la­ted by semi-human-loo­king figu­res. Theater spa­ces are ener­gi­zed into ‘envi­ron­ments’, in which meta­the­a­tri­cal and eco­sys­te­mic logics diver­ge.

Poetry is not only at the ori­gin of most of their work (Celan, Christensen, Brautigan…), the per­for­man­ces are also con­struc­ted fol­lo­wing poe­tic prin­ci­ples and can be read as sce­nic poems. Between 2017 and 2021 they cre­a­ted the per­for­man­ces Matisklo (2018), SUN-SET (2020) and Indoor Weather (2021) at Toneelhuis.

Currently, the artis­tic prac­ti­ce of Ezra Veldhuis and Bosse Provoost is sup­por­ted by Hiros. Their first work with Hiros was All Watched Over by Machines of Loving Grace (2023), the sta­ging of an idyllic/dystopian “cyber­ne­tic mea­dow”, as drea­med up in a Richard Brautigan poem of the same name.

Play dates

Concept, lighting and scenography: Ezra Veldhuis & Bosse Provoost Choreography: Nathan Ooms, Bosse Provoost, Ezra Veldhuis Performers: Estefanía Álvarez Ramírez, Jayson Batut, Nathan Ooms Costume design & objects: Carly Rae Heathcote Sound design: Benne Dousselaere Outside eye: Marc Vanrunxt Execution set: Sibran Sampers, Remco Wuyts Technical coordination: Wim Bernaers Internship dramaturgy: Cesar Vromman Production: Hiros Co-production: C-TAKT, NEXT Festival, auawirleben Festival, Kunstenwerkplaats, SPRING Performing Arts Festival, CAMPO, Perpodium, Kraagsteen With the support of: Kunstencentrum BUDA, De Grote Post, Le Bamp, STUK, Kunst/Werk, Stad Gent, the Flemish government, taxshelter of the Belgian Federal Government via Ufund

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